Wednesday, 24 May 2017

New Music: Introducing - Dream Harlowe

This is stunning. A big nod to Crack In The Road blog for unearthing Dream Harlowe and her debut track Moarte

Formed out of nothing much more than sparse subdued beats, a splash of electronics and a vocal that hints of smoke-laden jazz clubs and sadness, Moarte is a sparse ghost of a song that sounds as if it belongs on a lost old-fashioned black and white film. As she sings of seeing death waiting in the corner and severing the cord you might begin to question what this somewhat disturbingly beautiful piece is about. Thankfully there’s an explanation on her Soundcloud that states: “I wrote this song after meeting my father in Eastern Europe for the first time. We are not what we come from and yet, we are.” 

A song from the heart of the night. 

Dream Harlowe - Moarte

Sunday, 21 May 2017

Review: 5 Acts At Great Escape 2017 That Had The Wow Factor

Brighton’s Great Escape, Europe’s largest new music festival, is like a live version of a new music blog, with over four hundred artists vying for your attention playing shows in clubs, pubs, churches, hotels and other locations of the south coast town. The key word with the Great Escape (much like this year’s event’s weather which went from heavy rain to sun) is variety. In just over 72 hours of being in Brighton I saw indie, country, folk, jazz, pop, soul, funk, disco, rap and many other genres, witnessing 37 full sets.

Of those 37 performances, the quality level was very high and so it’s impossible to say which gigs were the best. However, there’s something very exciting about seeing an artist for the first time and their performance leaving you breathless and giddy. So, whilst I went to shows by acts that I’ve witnessed already such as Alice Jemima, Skott, Casi, Pumarosa, Liv Dawson and Jerry Williams and they were all hugely enjoyable, these five gigs by musicians that I'd not seen before had that ‘wow’ factor that you can only get the first time you see a band or solo performer. They came from all sorts of genres and, reflecting the Great Escape’s truly international curation, from all over the world.

Sigrid (Coalition) Norway

It might have been raining outside, the venue ceiling was dripping inside with leaks but Sigrid just can’t stop winning and spreading sunshine. A superb Later with Jools debut, an outstanding debut EP and positive reviews from critics and fans alike, the new pop lady on the block had a lot to live up to and she delivered. Sigrid was as charismatic and praiseworthy as I’d imagined. Yes, of course Don’t Kill My Vibe gained the biggest cheers but the rest of her set was coated with enough quality to suggest that alongside other new potential pop stars such as Maggie Rogers and Skott, that it’s possibly time for Perry, Gaga and Spears to move to one side. 

Sultan of the Disco (Latest Music Bar) Korea

On entering the Latest Music Bar for a K-Pop Night Out (which actually took place in the afternoon) guests were greeted by friendly Korean hosts and handed glow sticks, cute animal temporary tattoos and leaflets about the 2018 PyeongChang Olympic and Paralympic Winter Games. It clearly wasn’t going to be an ordinary gig by UK standards. And it wasn’t. 

In a sweaty basement bar Sultan of the Disco delighted with non-stop dance routines, classic disco grooves and funk not dissimilar to Chic, The Jackson 5 and Bruno Mars together with a joyful cover version of Ghostbusters; which you can see a clip of by clicking here from my Twitter feed. Dressed in kimono style dressing gowns, shades and headbands the band threw to the audience cuddly toy versions of Soohorang and Bandabi the Winter Olympics 2018 mascots and at one stage lead singer Nahzam Sue played keyboard by being held mid-air by other band mates. Band’s don’t normally do encores at Great Escape, but there was no way the audience was going to let Sultan of the Disco get away without playing one. 100% fun.

The Rhythm Method (Brighthelm) UK

The Rhythm Method (pictured below) are the sort of band that could only come from the UK. Or rather England. More specifically London. They channel The Streets, Madness, Squeeze, Ian Dury & The Blockheads, and The Pet Shop Boys. Lead vocalist Joey told the late night drunken crowd “You don’t want to be here, we don’t want to be here,” whilst looking thoroughly pissed off and I couldn’t tell if he was joking or being serious. They had catchy hooks, bored sounding half spoken-word lyrics that referenced politics, pubs and sex and opened with a song that, if I’m not mistaken, mentioned salad cream. "Play Home Sweet Home," shouted someone in the audience referring to the duo's most well known track. "No," replied Joey. And they didn't. And it didn't matter. You’re either going to love them or hate them and if they get around to releasing an album I suspect there’s the potential for it to be an instant cult classic.

Confidence Man (Komedia) Australia

Confidence Man are a group that make every regular indie rock band, every bland music by formula pop band and every Drake wannabe seem as boring and pointless as ironing socks. Janet Planet, Sugar Bones, Reggie Goodchild and Clarence McGuffie came dressed in a baby doll dress, way too-short shorts and two gothic beekeepers hats respectively and for 20 frenetic minutes bombarded the audience with comic strip sassiness, high energy dance routines, (click here for what they were doing) and Lucozade fuelled skilfully crafted electro bubble-gum tunes. That’s all the time it took for Confidence Man to quickly become one of the most talked about bands of the day. I can’t wait to hear and see more.

Tom Adams (Unitarian Church) UK / Germany

Sat at a piano in the corner of the church Tom Adams (pictured below) created the closest thing possible to heaven. Placed somewhere between Phillip Glass and Sigur Ros, Adams’ contemplative modern classical pop with choir boy falsetto voice and soft ambient electronic backing was a beautiful still moment amongst the craziness, the crowds and the energy of much of Great Escape. It was a perfect way to end the Friday evening. He’s already created one of my favourite records of 2017 (Silence), and the live incarnation was just as good.

The 37 artists I saw at Great Escape and Alt-Escape 2017 were: 

Benny & The Hair Nets, Fable, Porshyne, Confidence Man, Jade Bird, The Van T's, Be Charlotte, Liv Dawson, Songe, Swimming Tapes, Sigrid, Shitkid, Nilufer Yanya, Tom Grennan, Cosima, Salen, The Rhythm Method, Flamingods, Slotface, Rosie Carney, Hazel English, Childhood, Matt Woods, Wrabel, Sarathy Korwar, Julie Byrne, Tom Adams, Alice Jemima, Bokito, MC Sniper, Sultan of the Disco, Jerry Williams, Matt Maeson, Off Bloom, Casi, Skott, Pumarosa

Wednesday, 17 May 2017

New Music: Kwaye - Little Ones

I’m half wondering if all round cool dude and wearer of the braided man bun Kwaye is eventually going to open some sort of musical school for children. After all, his debut track which was featured on Breaking More Waves back in March was called Cool Kids and now he’s singing about Little Ones. If his next tune is called Children In The World or Stay Young we’ll all know for sure.

The good news is that Little Ones won’t find Kwaye in after class detention for crimes against pop. Mixing future soul with something that hints at 80’s / early 90’s r ‘n’ b, the song deals with putting people in boxes through prejudice, something that’s learnt through socialisation rather than something that is inherited; hence the references to the innocence of the little ones in the lyrics. It’s a classy tune with Kwaye demonstrating some impressive vocal chops, from stern soul to funky falsetto.

The photographer really needs to try harder on the promotional picture though. Where’s his head at? I want to see that bun.

Kwaye - Little Ones

Monday, 15 May 2017

New Music: DIICE - Do Wrong

Almost a year ago today I featured a new act who went by the name of DIICE after hearing their creamily smooth debut Multigold. Usually when a mysterious identity free band release a debut song as good as Multigold it suggests the start of some slowly unfolding campaign, gradually drawing the public in as the artist (or artists) lead to an EP or even an album. However, in this case, if it is a campaign, it’s the slowest yet. One song a month like Oh Wonder did with their first album would be cool. But surely this isn’t one song a year?

Let’s hope not, because whilst DIICE’s second release once again reaffirms the argument that good music is like good cooking - needing quality ingredients and (most importantly) time – I’m not sure if I can wait another twelve months for a third.

Do Wrong is gorgeous. It's formed from spacious nocturnal production and subtle warm electronics that sit halfway between the likes of Massive Attack and Vaults - and that can't be a bad thing. What I particularly love are the vocals - they’re just so velvety, soulful and you can hear every lyric perfectly. I also love the way the vocalist does a tiny little roll of the ‘r’ on the words reason, breath and cry - is she perhaps Welsh? It sounds like she could be. 

But apart from that guess on nationality (there's also a hint on line that they're based in London or Essex) I still don’t know anything about DIICE, although according to Complex who premiered the track, they're a trio. But knowing so little doesn't matter. The sound is the thing. That’s all that matters.

DIICE - Do Wrong